RICOH GR III - Strong Contrast Black and White Pictures - Wellington at Dusk

Recently I went out late in the afternoon when dusk was starting to fall. I had my little GR III camera with me that I had put on high contrast JPEG shooting mode.

My idea was to shoot some contrasty pictures of the city (it is Wellington, New Zealand that we are speaking about) in the fading light, maybe using some street lights, maybe utilizing the light from the sky.

I hadn’t tried the strong contrast JPEG preset in that way before. I had shot some pictures on a beach and I liked the rendering of the dark tones. It complemented my style quite nicely. So trying this in the urban environment was a nice little challenge.

And I was lucky, I got into the flow.
You know the photographic flow? You immerse yourself into your shooting and all of a sudden nothing exists but pictures, scenes that want to be captured, light, contrast, maybe colors, a flurry of impressions that wait to be photographed.

urban photography, cityscape, Wellington, New Zealand, RICOH GR III camera

This kind of flow lasts with me between an hour and two. Towards the end I feel that I am getting tired. It’s hard mental work, it is focusing on the environment and on composition and light all the time. Eventually by the end of a flow I get to the point where I feel that I have “shot myself empty”. The flow abates gradually, the rush ceases, the inclination to find yet another motif stops.

I love those moments of getting into the flow. It’s immensely gratifying and rewarding. And often the pictures that are shot in such a flow are good or even excellent. It’s a special mode and mood.

So, in such a flow I got myself during the JPEG shooting session. I found a narrow alley with wooden fences to both sides and, a street light and the bright sky at the end of this path. I shot this in many iterations. I will later come back to this motif.

At the end of my two hours walk I was indeed empty and my SD cart had filled up to a good degree. And I had the feeling of satisfaction and curiosity about what I might have found. I was keen on sitting down and processing my pictures and getting them ready to be shown on Flickr.

Flickr is a great motivation for me. The fact that I can show what I deem the best pictures in Flickr motivates me to shoot and to try out new ways of photography. Over the past 8 years this fascination and motivation has been continuing. Flickr is a great source of inspiration to me.

When I started editing the pictures on my computer I found out that they don’t have great “latitude”. This means that when playing with exposure, highlights, whites, shadows and blacks in post, the pictures tend to develop unnaturally looking white or grey areas that just don’t look appealing at all. Reason for that is that the pictures were shot in JPEG format which limits the way of editing them considerably. The pictures I took of the before mentioned fenced path suffer from this technical flaw.

The image looks nice. But if you take a closer look you can see that Whites and Greys have in some areas an unnatural look

The easiest way of circumventing this problem was to darken the pictures, to increase whites and to make local adjustments to the areas that should appear bright. In that way it was possible to create some pictures that obtained a graphical character.

cityscape Wellington, Urban photography, graphical photography, RICOG GR III camera

The areas where I increased the Whites appeared bright and luminant and created a beautiful contrast with the dark or grey environment. This luminance you can indeed only achieve by editing JPEG pictures. RAW files are too flexible and do not “tip over” into very bright or deep dark tones, This only happens when we use JPEG pictures.

Sometimes it requires a little bit of luck (bad and good one) to achieve a certain look in pictures.

Destiny (is a very big word)

I am still marveling about the shooting session with Thekla that happened one month ago. The spirit of this session has lingered on as I have been processing and posting the pictures. And from that moment something amazing has been developing. I have been in touch with people that have helped me finding what I want to do in photography. Really, it is that big!

I have been looking around and searching for what I want to express in photography for the past six years. It has been a meandering through subjects, techniques, aspirations, disappointments and endeavors. And though I never had the feeling that I was really going wrong it also never felt entirely right, never complete, never as if I was on the path I wanted to be.

The first big step was that last year I started to shoot portraits. It was the first time that I worked with human beings and the first time that I dared exposing myself to them as a photographer. It was a huge step.

There was always the aspiration of working with people, taking their pictures and finding a way to develop my photography into that direction. I just did not have the courage. Accomplished portrait and nude photographers might smile about this impediment (or maybe some might nod as they know this feeling of fear from their own experience).

Whatever, for me it was the first time that I got in touch with people that were willing to work with me and that I felt comfortable to work with. I am really grateful to Io and her fellow musicians for this experience.

From there I shot more portraits and I gained some more experience. But it still felt sometimes clumsy and as if I was not doing quite what I wanted or should do.

And then two things happened. I met Thekla and had this amazing creative experience with her. And I also met Nanni. Nanni is an artistic photographer in Germany who I approached via Flickr because her pictures fascinated me. And via email we started talking about photography, about how our brains work and process information and reality and about what defines the core of us as human beings.

Picture from the photo shooting with Thekla in October. Picture processed with textures.

Picture from the photo shooting with Thekla in October. Picture processed with textures.

And all of a sudden it clicked. All this together starts giving me the feeling, I would even say certainty what I want to do and express and depict in photography. It is as if my photographic destiny is gradually opening up. I am not there yet. I will need to try things out. I know it is a path and not a place.

But essentially I want to explore what lies under the surface of us as human beings. What defines us, what makes us behave the way we do, what makes us human and what brings us together as human beings. And I wand to find the expression of this human essence in the faces and (nude) bodies of people that I depict.

Well, that’s kind of big, isn’t it? Very big. Maybe stupid. Maybe preposterous. And maybe hopeless and destined to fail. But it feels right! And I need to go there.

Thank you to all my companions over the past years, thank you to my new friends. Thank you to Thekla, Nanni, Marilena, Io, Tracy, Alistair, Frank, Jay (Vulture Labs) and Ioanna. Thank you for going with me, for your ideas, teachings, readiness and support.

And I will write more about this as it evolves. Who knows how the journey will be. And if it will be a journey at all. But at least I want to take the first few steps now.

black and white

Yesterday I have been working on a street portrait picture of a beautiful woman. I processed this picture for hours in color, changed the skin color slightly, applied some frequency separation to clean and smoothen her skin (a technique I just had learned a few days ago), played with background luminosity and colors and created several versions of this one picture.

_DSC1159-FS5*.jpg



I was quite chuffed with myself because I had learned how to do these things in Photoshop (although I am certainly far away from mastery). And still, I had the feeling that something is missing. Maybe I over-processed my picture? Maybe I did not know exactly how to relate color and luminosity to each other? Maybe I am just not good enough? I couldn’t put my finger exactly on it but it felt as if something was wrong.

And then I just converted the picture into b&w. And I loved it. I loved the tones, the light fall-off between main subject and background, the skin texture (although there is clearly space for improvement). I loved the lines of her face and the blurred ones of the background. I loved the expression of the picture and her portrait. I really loved her in black and white.

_DSC1159-FS-B&W3*.jpg



So what? Do I need more proficiency at processing color pictures? More learning? More understanding of how to interpret a picture during post-processing? Yep, all of this, sure. I need to learn a lot. But maybe I just have to admit that I am a black and white photographer... :-)