RICOH GR III - Strong Contrast Black and White Pictures - Wellington at Dusk

Recently I went out late in the afternoon when dusk was starting to fall. I had my little GR III camera with me that I had put on high contrast JPEG shooting mode.

My idea was to shoot some contrasty pictures of the city (it is Wellington, New Zealand that we are speaking about) in the fading light, maybe using some street lights, maybe utilizing the light from the sky.

I hadn’t tried the strong contrast JPEG preset in that way before. I had shot some pictures on a beach and I liked the rendering of the dark tones. It complemented my style quite nicely. So trying this in the urban environment was a nice little challenge.

And I was lucky, I got into the flow.
You know the photographic flow? You immerse yourself into your shooting and all of a sudden nothing exists but pictures, scenes that want to be captured, light, contrast, maybe colors, a flurry of impressions that wait to be photographed.

urban photography, cityscape, Wellington, New Zealand, RICOH GR III camera

This kind of flow lasts with me between an hour and two. Towards the end I feel that I am getting tired. It’s hard mental work, it is focusing on the environment and on composition and light all the time. Eventually by the end of a flow I get to the point where I feel that I have “shot myself empty”. The flow abates gradually, the rush ceases, the inclination to find yet another motif stops.

I love those moments of getting into the flow. It’s immensely gratifying and rewarding. And often the pictures that are shot in such a flow are good or even excellent. It’s a special mode and mood.

So, in such a flow I got myself during the JPEG shooting session. I found a narrow alley with wooden fences to both sides and, a street light and the bright sky at the end of this path. I shot this in many iterations. I will later come back to this motif.

At the end of my two hours walk I was indeed empty and my SD cart had filled up to a good degree. And I had the feeling of satisfaction and curiosity about what I might have found. I was keen on sitting down and processing my pictures and getting them ready to be shown on Flickr.

Flickr is a great motivation for me. The fact that I can show what I deem the best pictures in Flickr motivates me to shoot and to try out new ways of photography. Over the past 8 years this fascination and motivation has been continuing. Flickr is a great source of inspiration to me.

When I started editing the pictures on my computer I found out that they don’t have great “latitude”. This means that when playing with exposure, highlights, whites, shadows and blacks in post, the pictures tend to develop unnaturally looking white or grey areas that just don’t look appealing at all. Reason for that is that the pictures were shot in JPEG format which limits the way of editing them considerably. The pictures I took of the before mentioned fenced path suffer from this technical flaw.

The image looks nice. But if you take a closer look you can see that Whites and Greys have in some areas an unnatural look

The easiest way of circumventing this problem was to darken the pictures, to increase whites and to make local adjustments to the areas that should appear bright. In that way it was possible to create some pictures that obtained a graphical character.

cityscape Wellington, Urban photography, graphical photography, RICOG GR III camera

The areas where I increased the Whites appeared bright and luminant and created a beautiful contrast with the dark or grey environment. This luminance you can indeed only achieve by editing JPEG pictures. RAW files are too flexible and do not “tip over” into very bright or deep dark tones, This only happens when we use JPEG pictures.

Sometimes it requires a little bit of luck (bad and good one) to achieve a certain look in pictures.

The Inner Core Project

What if we tried to show the inner core of a person in a photograph? That was the question I was wondering about some time ago. You can read my first thoughts about this here in the article “Destiny (is a very big word)”. http://www.chris-r-photography.net/2019/11/29/s0tfzb1zssh7b7coavrfxtgdrmvv46

The starting point of my considerations was the assumption that we all have a deeper inner core of our person, of our personality. On top of that we develop over the years layers of behaviour that are determined by education, interaction with people, experience, traumata, neuroses and other influences. Our every day behaviour is a mixture of these layers interacting with the core personality deep within.

From there I was wondering if it might be possible to show the “inner core” of a person in a photograph. During my photographic development over the past few years I used long exposure photography, motion blur, intentional camera movements a lot. When watching these blurred pictures I noticed that it felt as if I could see deeper into a person’s characteristics in pictures that I had taken with this long exposure technique. The question is of course if a long exposure picture really represents a person’s characteristics on a deeper level or if a blurred picture gives the viewer more space to imagine certain characteristics because imagination can fill the gaps that the picture leaves. This question I have not answered to myself entirely, you might have your own very personal answer to it too.

In order to find out if my hypothesis works, I decided to start a photographic project around the core idea. The plan is, to shoot people with long exposure and ask them to do things where they feel that they are within themselves to the most. I would assume that every person has a different way of “feeling herself/himself”. So I am asking my “models” to do exactly what brings them “to themselves” in the most intense way.

I was lucky to meet Marine in Osnabrück during my current trip to Europe. Marine is a dancer with the Osnabrück Theater Dance Company. She agreed to participate in this project and we met for a shooting. The owner of YogaOmline in Osnabrück was so kind to allow us shooting in his rooms.

I asked Marine, not to “perform” for me but to find a way of getting deep into herself in her own personal way. She used moving her body for this. During the shooting we both remained completely silent. I did not ask her to strike any poses but only followed her movements with my camera.

Marine, Inner Core Project

Marine, Inner Core Project

I found this collaboration amazing. I was allowed to look into the personality of my “model” and to take pictures of what was a very intimate personal experience. Marine has allowed me to share the pictures. I am very grateful and thank her very very much.

What is your way of expressing the core of your personality? How can you reach deep within yourself? Is there a way of showing this outside? If any of you is interested in this project and wants to participate I would ask you to get in touch with me. Leave me a message on this website or write me a Flickr mail (https://www.flickr.com/photos/chrisrsouthland). I will continue this project over the coming months. Currently (September 2020) I am still in Osnabrück, Germany.

black and white

Yesterday I have been working on a street portrait picture of a beautiful woman. I processed this picture for hours in color, changed the skin color slightly, applied some frequency separation to clean and smoothen her skin (a technique I just had learned a few days ago), played with background luminosity and colors and created several versions of this one picture.

_DSC1159-FS5*.jpg



I was quite chuffed with myself because I had learned how to do these things in Photoshop (although I am certainly far away from mastery). And still, I had the feeling that something is missing. Maybe I over-processed my picture? Maybe I did not know exactly how to relate color and luminosity to each other? Maybe I am just not good enough? I couldn’t put my finger exactly on it but it felt as if something was wrong.

And then I just converted the picture into b&w. And I loved it. I loved the tones, the light fall-off between main subject and background, the skin texture (although there is clearly space for improvement). I loved the lines of her face and the blurred ones of the background. I loved the expression of the picture and her portrait. I really loved her in black and white.

_DSC1159-FS-B&W3*.jpg



So what? Do I need more proficiency at processing color pictures? More learning? More understanding of how to interpret a picture during post-processing? Yep, all of this, sure. I need to learn a lot. But maybe I just have to admit that I am a black and white photographer... :-)