Piraeus Night Ride - a shooting and editing experience with the Leica Q2 and Nik Color Efex

It took me 8 months to edit the pictures.

In May 2020 I took a night ride through Piraeus, Athen’s harbor city with my Greek friend Alex. On our way back from a trip on the island of Salamina he suggested us to drive through the dark city of Piraeus. He wanted to show me the city and I took out my Leica Q2 camera and started shooting from the passenger seat.

I set the camera to auto ISO, the aperture to f1.7 and the exposure time to 1/50 seconds. And I started shooting into the night lit streets and the traffic that we encountered.

It became a fascinating experience. We were driving through dark suburban streets where we found islands of light that appeared in front of us and disappeared again within one or two seconds. I shot picture after picture, aware that with the relative slow exposure time of 1/50 seconds I would have some blur effect (in order to “freeze” a scene that you shoot from a driving car you need to use at least 1/250 second, better 1/500 or even shorter).

I uploaded the RAW pictures in the following week to my external hard drive, created the usual backup files on a second external hard drive and then I didn’t touch them for a few weeks.

When revisiting the pictures for the first time I found them a little boring and did not know what exactly to do with them. The motion blur was kind of interesting but it did not give the pictures shape and and any fascinating feeling. I processed some of the pictures, posted some on Flickr but neither me nor my followers were particularly interested in the results.

Not bad - but not really interesting either……

Kind of moody - but something is missing…..

And then I forgot about them. I had many other interesting subjects to shoot and I did my editing of these pictures. The Piraeus ones were on the hard drive and I did not touch them.

8 months later I accidentally came across he pictures again. And immediately I knew what to do. I had just worked with the Nik editing apps recently. So I took the RAW pictures, transferred them to Nik Color Efex where I applied some presets that suited the dark, moody atmosphere of the night and the environment.

Thew same picture with a new edit

In a second step I exported the pictures to Photoshop where I used the blur tools to enhance the motion blur effect that the pictures already had.

Color cast and blur effect

And in a last step I added some texture and clarity in lightroom and did some local enhancements of light and colors. The editing of each single picture took me between 15 and 30 minutes. That includes the time I sometimes took between step 2 and 3 in order to re-evaluate my results and to start doing my local adjustments in Lightroom.

And all of a sudden the pictures had a feel that reflected the mysterious atmosphere that we had experienced during the ride through the city of Piraeus.

We often read the recommendation to let the pictures “mature” after the shooting and to let them “rest” for a while. I often don’t follow that recommendation. But in this case leaving the pictures alone and coming back with fresh and unbiased eyes gave me the opportunity to create a completely new and different approach. Revisiting the older ones can make a lot of sense. I love the results……

RICOH GR III - Strong Contrast Black and White Pictures - Wellington at Dusk

Recently I went out late in the afternoon when dusk was starting to fall. I had my little GR III camera with me that I had put on high contrast JPEG shooting mode.

My idea was to shoot some contrasty pictures of the city (it is Wellington, New Zealand that we are speaking about) in the fading light, maybe using some street lights, maybe utilizing the light from the sky.

I hadn’t tried the strong contrast JPEG preset in that way before. I had shot some pictures on a beach and I liked the rendering of the dark tones. It complemented my style quite nicely. So trying this in the urban environment was a nice little challenge.

And I was lucky, I got into the flow.
You know the photographic flow? You immerse yourself into your shooting and all of a sudden nothing exists but pictures, scenes that want to be captured, light, contrast, maybe colors, a flurry of impressions that wait to be photographed.

This kind of flow lasts with me between an hour and two. Towards the end I feel that I am getting tired. It’s hard mental work, it is focusing on the environment and on composition and light all the time. Eventually by the end of a flow I get to the point where I feel that I have “shot myself empty”. The flow abates gradually, the rush ceases, the inclination to find yet another motif stops.

I love those moments of getting into the flow. It’s immensely gratifying and rewarding. And often the pictures that are shot in such a flow are good or even excellent. It’s a special mode and mood.

So, in such a flow I got myself during the JPEG shooting session. I found a narrow alley with wooden fences to both sides and, a street light and the bright sky at the end of this path. I shot this in many iterations. I will later come back to this motif.

At the end of my two hours walk I was indeed empty and my SD cart had filled up to a good degree. And I had the feeling of satisfaction and curiosity about what I might have found. I was keen on sitting down and processing my pictures and getting them ready to be shown on Flickr.

Flickr is a great motivation for me. The fact that I can show what I deem the best pictures in Flickr motivates me to shoot and to try out new ways of photography. Over the past 8 years this fascination and motivation has been continuing. Flickr is a great source of inspiration to me.

When I started editing the pictures on my computer I found out that they don’t have great “latitude”. This means that when playing with exposure, highlights, whites, shadows and blacks in post, the pictures tend to develop unnaturally looking white or grey areas that just don’t look appealing at all. Reason for that is that the pictures were shot in JPEG format which limits the way of editing them considerably. The pictures I took of the before mentioned fenced path suffer from this technical flaw.

The image looks nice. But if you take a closer look you can see that Whites and Greys have in some areas an unnatural look

The easiest way of circumventing this problem was to darken the pictures, to increase whites and to make local adjustments to the areas that should appear bright. In that way it was possible to create some pictures that obtained a graphical character.

The areas where I increased the Whites appeared bright and luminant and created a beautiful contrast with the dark or grey environment. This luminance you can indeed only achieve by editing JPEG pictures. RAW files are too flexible and do not “tip over” into very bright or deep dark tones, This only happens when we use JPEG pictures.

Sometimes it requires a little bit of luck (bad and good one) to achieve a certain look in pictures.